Winner of the 2020 Electric Book Award Suzi Q. Smith’s debut collection, A Gospel of Bones, is an exploration of internal dialogue and a survival guide as the poet examines and contends with the politics of biracial black womanhood, love, sex, single motherhood, family, violence, poverty, and most of all, prayer. A Gospel of Bones includes poems that crisply and lyrically ex Winner of the 2020 Electric Book Award Suzi Q. Smith’s debut collection, A Gospel of Bones, is an exploration of internal dialogue and a survival guide as the poet examines and contends with the politics of biracial black womanhood, love, sex, single motherhood, family, violence, poverty, and most of all, prayer. A Gospel of Bones includes poems that crisply and lyrically examine the poet’s own gospels. Smith’s writing is breathtaking and devastating at times, welcoming and affirming in others. In “We Pay Cash for Houses,” Smith uses contrapuntal to illustrate the grief and displacement caused by gentrification. In “This Crown Crooked Anyway,” a crown of American sonnets, Smith offers a narrative on faith, violence, love, divorce, grief, and policing, with the racial dynamics threaded throughout. The poems are an offering of unflinching and fierce determination to tell the good stories, the hidden stories, the hard stories, and all that endures after the telling.
A Gospel of Bones
Winner of the 2020 Electric Book Award Suzi Q. Smith’s debut collection, A Gospel of Bones, is an exploration of internal dialogue and a survival guide as the poet examines and contends with the politics of biracial black womanhood, love, sex, single motherhood, family, violence, poverty, and most of all, prayer. A Gospel of Bones includes poems that crisply and lyrically ex Winner of the 2020 Electric Book Award Suzi Q. Smith’s debut collection, A Gospel of Bones, is an exploration of internal dialogue and a survival guide as the poet examines and contends with the politics of biracial black womanhood, love, sex, single motherhood, family, violence, poverty, and most of all, prayer. A Gospel of Bones includes poems that crisply and lyrically examine the poet’s own gospels. Smith’s writing is breathtaking and devastating at times, welcoming and affirming in others. In “We Pay Cash for Houses,” Smith uses contrapuntal to illustrate the grief and displacement caused by gentrification. In “This Crown Crooked Anyway,” a crown of American sonnets, Smith offers a narrative on faith, violence, love, divorce, grief, and policing, with the racial dynamics threaded throughout. The poems are an offering of unflinching and fierce determination to tell the good stories, the hidden stories, the hard stories, and all that endures after the telling.
Compare
Rhiannon –
This is the kind of poetry book I love, a jewel box of perfect words that sometimes gives me in-depth understanding of a life that is very different and other times beautifully phrases things I feel deeply but don't have the vocabulary to say. This is the kind of poetry book I love, a jewel box of perfect words that sometimes gives me in-depth understanding of a life that is very different and other times beautifully phrases things I feel deeply but don't have the vocabulary to say.
Jen Deepa –
Ozy Aloziem –
Leah Angstman –
Kaite Dunn –
Timniyha Owens-Staples –
Tameca –
Leo –
Aujha Aye –
Crystal –
Annie –
Marie –
Rachel Miller –
Vivian –
Janet –
Mallory Everhart –
Jessica Davidson –
Samantha Radcliffe –
Aimee Van Cleave –
Teodora –
Books –
Michael –
Marlena –
Honeybakedambs –
Sarah Urbahns –