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In the Shadow of Edgar Allan Poe: Classic Tales of Horror, 1816-1914

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Edgar Allan Poe did not invent the tale of terror. There were American, English, and Continental writers who preceded Poe and influenced his work. Similarly, there were many who were in turn influenced by Poe’s genius and produced their own popular tales of supernatural literature. This collection features masterful tales of terror by authors who, by and large, are little- Edgar Allan Poe did not invent the tale of terror. There were American, English, and Continental writers who preceded Poe and influenced his work. Similarly, there were many who were in turn influenced by Poe’s genius and produced their own popular tales of supernatural literature. This collection features masterful tales of terror by authors who, by and large, are little-remembered for their writing in this genre. Even Bram Stoker, whose Dracula may be said to be the most popular horror novel of all time, is not known as a writer of short fiction. Distinguished editor Leslie S. Klinger is a world-renowned authority on those twin icons of the Victorian age, Sherlock Holmes, and Dracula. His studies into the forefathers of those giants led him to a broader fascination with writers of supernatural literature of the nineteenth century. The stories in this collection have been selected by him for their impact. Each is preceded by a brief biography of the author and an overview of his or her literary career and is annotated to explain obscure references. Read on, now, perhaps with a flickering candle or flashlight at hand . . . Stories by: Ambrose Bierce, Joseph Sheridan Le Fanu, Theodor Gautier, Charlotte Perkins Gilman, Arthur Conan Doyle, Lafcadio Hearn, M. R. James, Bram Stoker, and many others.


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Edgar Allan Poe did not invent the tale of terror. There were American, English, and Continental writers who preceded Poe and influenced his work. Similarly, there were many who were in turn influenced by Poe’s genius and produced their own popular tales of supernatural literature. This collection features masterful tales of terror by authors who, by and large, are little- Edgar Allan Poe did not invent the tale of terror. There were American, English, and Continental writers who preceded Poe and influenced his work. Similarly, there were many who were in turn influenced by Poe’s genius and produced their own popular tales of supernatural literature. This collection features masterful tales of terror by authors who, by and large, are little-remembered for their writing in this genre. Even Bram Stoker, whose Dracula may be said to be the most popular horror novel of all time, is not known as a writer of short fiction. Distinguished editor Leslie S. Klinger is a world-renowned authority on those twin icons of the Victorian age, Sherlock Holmes, and Dracula. His studies into the forefathers of those giants led him to a broader fascination with writers of supernatural literature of the nineteenth century. The stories in this collection have been selected by him for their impact. Each is preceded by a brief biography of the author and an overview of his or her literary career and is annotated to explain obscure references. Read on, now, perhaps with a flickering candle or flashlight at hand . . . Stories by: Ambrose Bierce, Joseph Sheridan Le Fanu, Theodor Gautier, Charlotte Perkins Gilman, Arthur Conan Doyle, Lafcadio Hearn, M. R. James, Bram Stoker, and many others.

30 review for In the Shadow of Edgar Allan Poe: Classic Tales of Horror, 1816-1914

  1. 4 out of 5

    Maria Bikaki

    Πολύ καλό!! Αν και δεν είμαι πολύ φαν των ιστοριών τρόμου και τέτοιου είδους βιβλία δεν τα επιζητώ, ούτε περιμένω εναγωνίως το χάλογουιν που είχαμε και στο χωριό μας για να τα διαβάσω, ούτε τρώω τα νύχια μου από τον φόβο η συγκεκριμένη ανθολογία των διηγημάτων μου κέντρισε το ενδιαφέρον. Θες το σκοτεινό, μυστηριώδες εξώφυλλο, θες και μόνο το όνομα Εντγκαρ Αλαν Πόε με οδήγησε να το διαβάσω. Δε μπορώ να πω ότι ανατρίχιασα ή κατούρησα το κρεβάτι μου από το φόβο αλλά δεν είμαι άνθρωπος που νιώθω τέτ Πολύ καλό!! Αν και δεν είμαι πολύ φαν των ιστοριών τρόμου και τέτοιου είδους βιβλία δεν τα επιζητώ, ούτε περιμένω εναγωνίως το χάλογουιν που είχαμε και στο χωριό μας για να τα διαβάσω, ούτε τρώω τα νύχια μου από τον φόβο η συγκεκριμένη ανθολογία των διηγημάτων μου κέντρισε το ενδιαφέρον. Θες το σκοτεινό, μυστηριώδες εξώφυλλο, θες και μόνο το όνομα Εντγκαρ Αλαν Πόε με οδήγησε να το διαβάσω. Δε μπορώ να πω ότι ανατρίχιασα ή κατούρησα το κρεβάτι μου από το φόβο αλλά δεν είμαι άνθρωπος που νιώθω τέτοια συναισθήματα σε αντίστοιχα βιβλία. Παρόλα αυτά, η συγκεκριμένη έκδοση θα έλεγα είχε μια ιδιαίτερη αισθητική και ατμόσφαιρα που σε γενικές γραμμές με κέρδισε. Οι φαν της λογοτεχνίας τρόμου είμαι σίγουρη ότι θα το εκτιμήσετε καλύτερα από εμένα.

  2. 4 out of 5

    Γιώτα Παπαδημακοπούλου

    Η ανθολογία, οποιασδήποτε μορφής διηγημάτων, ποτέ δεν ήταν η πρώτη μου επιλογή. Θεωρώ εξαιρετικά δύσκολο το να μπορέσει ν' αφηγηθεί κανείς μια ιστορία που θα είναι ουσιώδης και πλήρης, μέσα σε λίγες μόλις σελίδες. Ωστόσο, αν είχα να επιλέξω ένα βιβλίο αυτής της φυσιογνωμίας, τότε αναμφίβολα η θεματολογία του θα περιστρεφόταν γύρω από τη λογοτεχνία τρόμου και μυστηρίου. Οι ιστορίες αυτές είναι, όχι πιο εύκολα διαχειρίσιμες, αλλά μεγαλύτερης ευελιξίας και δημιουργικής αξιοποίησης της εκάστοτε κεν Η ανθολογία, οποιασδήποτε μορφής διηγημάτων, ποτέ δεν ήταν η πρώτη μου επιλογή. Θεωρώ εξαιρετικά δύσκολο το να μπορέσει ν' αφηγηθεί κανείς μια ιστορία που θα είναι ουσιώδης και πλήρης, μέσα σε λίγες μόλις σελίδες. Ωστόσο, αν είχα να επιλέξω ένα βιβλίο αυτής της φυσιογνωμίας, τότε αναμφίβολα η θεματολογία του θα περιστρεφόταν γύρω από τη λογοτεχνία τρόμου και μυστηρίου. Οι ιστορίες αυτές είναι, όχι πιο εύκολα διαχειρίσιμες, αλλά μεγαλύτερης ευελιξίας και δημιουργικής αξιοποίησης της εκάστοτε κεντρικής τους θεματολογίας, μπορώντας να έχει στοχευμένη αρχή, μέση και τέλος που όλα μαζί οδηγούν σε μία ολοκληρωμένη εικόνα χωρίς κενά, ή με τόσα όσα επιτηδευμένα επιλέγει ο εκάστοτε λογοτέχνης ν' αφήσει προκειμένου να εντείνει την ένταση ή την αγωνία πίσω από το δράμα του. Όπως οι περισσότεροι -κλασσικοί- αναγνώστες ανά την υφήλιο, έτσι κι εγώ ήρθα για πρώτη φορά σ' επαφή με την φανταστική και με τη λογοτεχνία τρόμου μέσω των έργων του λατρεμένου μου Poe, που δικαίως θεωρείται ο πατέρας των ειδών αυτών. Η αισθητική του μα και η αντίληψή γύρω από το τι μπορεί να ορίσει κανείς ως τρομακτικό, επηρέασαν σε τεράστιο βαθμό την εξέλιξη τους είδους μέσα στο πέρασμα του χρόνου, διευρύνοντας τους ορίζοντες κάποιων -αναγνωστών και λογοτεχνών-, μα κυρίως αποτελώντας πηγή έμπνευσης για τους περισσότερους. Φυσικά, πολλοί επιχείρησαν να τον αντιγράψουν, όμως ο Poe και το έργο του χαρακτηρίζονται από μια αρχέγονη, σχεδόν, λαχτάρα που κρύβει βαθιά στην ψυχή και στο ασυνείδητό του κάθε άνθρωπος που αναζητά απαντήσεις και που περισσότερο από κάθε τι άλλο, γοητεύεται απ' αυτό που τον φοβίζει, και θέλει να το εξερευνήσει. Ωστόσο, έχουν υπάρξει, στο πέρασμα του χρόνου, πολλοί αξιόλογοι υποστηρικτές του είδους, με άλλους να ξεχωρίζουν περισσότερο και άλλους λιγότερο, με τον καθένα, όμως, απ' αυτούς, να έχει βάλει το λιθαράκι του στη συντήρησή του. Στη σκιά, λοιπόν, του έργου, αλλά και της φυσιογνωμίας, του τεράστιου αυτού λογοτέχνη, ο Leslie S. Klinger, ένας από τους σημαντικότερους Αμερικανούς ανθολόγους, έχει επιλέξει μια σειρά κλασσικών διηγημάτων, ακόμα πιο κλασσικών συγγραφέων του 19ου αιώνα, οι οποίοι υπηρέτησαν τη φανταστική λογοτεχνία και τη λογοτεχνία τρόμου, με τον καλύτερο δυνατό τρόπο, χαράζοντας τη δική του πορεία, και τιμώντας με αξιοπρέπεια και πάθος το είδος που υποστήριξαν, αν όχι σε όλο, στο μεγαλύτερο μέρος της δημιουργικής τους διαδρομής. Διηγήματα μοναδικά σε βάθος, ιδιαίτερης αισθητικής, άλλα τρομακτικά και άλλα ανατριχιαστικά, διηγήματα που παίζουν με το συνειδητό και το ασυνείδητο του αναγνώστη, που ζωντανεύουν τους χειρότερούς του εφιάλτες, μα που την ίδια στιγμή τον καλούν ν' αντιμετωπίσει τους φόβους του με θάρρος. Μία συλλογή εξαιρετικής έκδοσης κι επιμέλειας, από τις εκδόσεις Κλειδάριθμος, με μια εξαιρετική μετάφραση της Παλμπύρας Ισμυρίδου, που είναι ανεπίτρεπτο να λείπει από την συλλογή κάθε αναγνώστη.

  3. 5 out of 5

    Χρύσα Βασιλείου

    Δεν υπάρχει αμφιβολία πως ο Έντγκαρ Άλαν Πόε δεν είναι απλά ένας από τους διασημότερους συγγραφείς της παγκόσμιας λογοτεχνίας, αλλά κι ένας από τους σημαντικότερους εκπροσώπους του είδους της λογοτεχνίας τρόμου. Είναι εκείνος που αποτέλεσε ορόσημο στο συγκεκριμένο είδος· τα διηγήματά του καλύπτουν ένα ευρύ φάσμα που περιλαμβάνει την επιστημονική φαντασία, το μυστήριο και τον τρόμο. Όμως, όπως είναι φυσικό, δεν ασχολήθηκε μόνο εκείνος με το υπερφυσικό· πολλοί σύγχρονοί του και μεταγενέστεροι συγγρ Δεν υπάρχει αμφιβολία πως ο Έντγκαρ Άλαν Πόε δεν είναι απλά ένας από τους διασημότερους συγγραφείς της παγκόσμιας λογοτεχνίας, αλλά κι ένας από τους σημαντικότερους εκπροσώπους του είδους της λογοτεχνίας τρόμου. Είναι εκείνος που αποτέλεσε ορόσημο στο συγκεκριμένο είδος· τα διηγήματά του καλύπτουν ένα ευρύ φάσμα που περιλαμβάνει την επιστημονική φαντασία, το μυστήριο και τον τρόμο. Όμως, όπως είναι φυσικό, δεν ασχολήθηκε μόνο εκείνος με το υπερφυσικό· πολλοί σύγχρονοί του και μεταγενέστεροι συγγραφείς έγραψαν τρομακτικές ιστορίες, τις οποίες ιδανικά αφηγείται κανείς ένα βροχερό βράδυ σε ένα μισοσκότεινο δωμάτιο, ενώ οι αναλαμπές της φωτιάς που καίει στο τζάκι δημιουργούν μακάβριες σκηνές στους τοίχους και οι ακροατές αδημονούν για τη συνέχεια, παρά το ρίγος του φόβου που διατρέχει τη σπονδυλική τους στήλη. Ο Leslie S. Klinger, που θεωρείται αυθεντία σε ό,τι αφορά τον σημαντικότερο ντετέκτιβ της λογοτεχνίας, τον Σέρλοκ Χολμς, αποφάσισε λοιπόν να μαζέψει κάποιες κλασικές ιστορίες τρόμου και να τις συγκεντρώσει στη συγκεκριμένη ανθολογία, που την ονόμασε «Στη σκιά του Έντγκαρ Άλαν Πόε». Γιατί πολλοί από αυτούς έγραψαν έργα που άξιζαν όσο και εκείνα του μεγάλου δημιουργού, αλλά «θάφτηκαν» στην ανωνυμία και δεν κατάφεραν να διατηρηθούν στο πέρασμα του χρόνου. Θέλοντας να τους προσδώσει την αίγλη που τους αξίζει, αλλά και να τιμήσει κατά κάποιον τρόπο τους συγγραφείς τους, ο Klinger τις παρουσιάζει στην εν λόγω ανθολογία, βγάζοντάς τις από τη «σκιά» του Πόε και φέρνοντάς τις εκ νέου στο φως και στο κριτικό μάτι του αναγνώστη. Στη συλλογή αυτή, λοιπόν, περιλαμβάνονται ορισμένες από τις καλύτερες και πιο κλασικές ιστορίες του 19ου αιώνα -πιο συγκεκριμένα, από το 1816 μέχρι το 1914- με βάση την αίσθηση που άφησαν, σε ιστορικό και λογοτεχνικό πλαίσιο, στην εποχή τους ή και αργότερα. Οι φανατικοί του συγκεκριμένου είδους οπωσδήποτε θα αναγνωρίσουν κάποια από τα ονόματα των δημιουργών. Ανάμεσά τους ξεχωρίζουν εκείνα των Ambrose Pierce, Bram Stoker, Arthur Conan Doyle, Charlotte Perkins Gilman, Dick Donovan, E.T.A. Hoffman κ.α., ενώ κάθε ιστορίας προηγείται ένα σύντομο σημείωμα με λίγες πληροφορίες τόσο για τον δημιουργό της, όσο και για την ίδια. Το περιεχόμενο της ανθολογίας καλύπτει ένα ευρύ φάσμα ιστοριών με θέματα που ποικίλλουν σε ό,τι αφορά την βαθμίδα του τρόμου. Κάποιες από αυτές είναι καθαρά τρομακτικές, άλλες ανατριχιαστικές, άλλες αφήνουν μια αμυδρή υπόνοια υπερφυσικού, ενώ μερικές «παίζουν» με τα βαθύτερα ένστικτα και τον ψυχισμό του αναγνώστη – ακόμα και κάποιες προσωπικές του εμπειρίες ίσως, που θα τον έκαναν να βάλει τον εαυτό του στη θέση του ήρωα. Ας μην ξεχνάμε πως στα τέλη του 19ου αιώνα οι ιστορίες τρόμου δεν γοήτευαν μόνο τους συγγραφείς που είχαν εντρυφήσει στο συγκεκριμένο είδος, αλλά και το κοινό τους, που διψούσε για τέτοιες αφηγήσεις. Ορισμένα μοτίβα συναντώνται περισσότερο από άλλα, μιας και οι ιστορίες βασίζονται εν μέρει στις αντιλήψεις του κόσμου την εποχή εκείνη. Τα φαντάσματα, λόγου χάρη, υπήρξαν πολύ δημοφιλή στη λογοτεχνία τρόμου. Τις περισσότερες φορές πρόκειται για μια αγαπημένη μορφή, ένα πρόσωπο της οικογένειας ή του στενού φιλικού κύκλου, που εμφανίζεται ξανά στους οικείους συνήθως για κάποιον συγκεκριμένο λόγο. Σε μια εποχή όπου κάθε οικογένεια θρηνούσε τουλάχιστον μια απώλεια που δεν οφειλόταν πάντα σε φυσικά αίτια και που οι ιστορίες με πνεύματα ήταν ευρέως διαδεδομένες, ήταν επόμενο τέτοιες ιστορίες να προσελκύουν ιδιαίτερο ενδιαφέρον. Σκοτεινές κι εκδικητικές μορφές, πλάσματα με υπερφυσικές δυνάμεις, ψυχές καταδικασμένες να περιδιαβαίνουν αιώνια ανάμεσα στους δύο κόσμους, παράξενα βήματα και κραυγές που ακούγονται σε παλιά σπίτια και στοιχειωμένες σοφίτες, πνεύματα που διψούν για εκδίκηση, θρύλοι, απόκοσμες σιλουέτες που παραμονεύουν στις σκοτεινές γωνιές… Όλα αυτά, κι ακόμα περισσότερα, αποτελούν ένα θαυμάσιο υλικό που εκμεταλλεύτηκαν στο έπακρο οι δημιουργοί των εν λόγω ιστοριών, έτσι ώστε να πλάσουν διηγήματα που μοιάζουν αληθινά, σαν κάποια προσωπική εμπειρία, και άκρως ικανά να προκαλέσουν το αναγνωστικό αίσθημα. Είναι όλα τους καλογραμμένα και διαλεγμένα πολύ προσεκτικά, έτσι ώστε να αποτελούν ένα αξιοπρόσεκτο σύνολο που ικανοποιεί κάθε γούστο. Πέραν αυτού, το καθένα έχει τη δική του ξεχωριστή ταυτότητα, που του δίνει το ιδιαίτερο ύφος του. Κανένα από αυτά δεν χρησιμοποιεί κραυγαλέες εκφράσεις ή σκηνές, προκειμένου να σπείρει τον τρόμο. Αρκεί ο τρόπος γραφής, το ύφος και το περιεχόμενό τους. Είναι πραγματικά απολαυστικό να διαβάζεις «καθαρό», ανόθευτο τρόμο, χωρίς περιττές… σπλατεριές και εντυπωσιακά, αλλά άχρηστα και υπερβολικά εφέ. Η αισθητική των συγκεκριμένων ιστοριών δύσκολα βρίσκει το ταίρι της· είναι κυριολεκτικά φερμένες από μια άλλη εποχή, και κουβαλούν όλο το άρωμα και την ατμόσφαιρά της. Η συγκεκριμένη ανθολογία, ικανή να ανασύρει τους πιο καλά κρυμμένους φόβους του αναγνώστη, να τον φέρει αντιμέτωπο με ό,τι τον τρομάζει περισσότερο ή, πολύ απλά, να του προσφέρει μια πρώτης τάξεως λογοτεχνική απόλαυση, δεν πρέπει να λείπει από κανένα ράφι. Αποτελεί ένα πραγματικό κόσμημα του είδους της, που οπωσδήποτε δεν θα αφήσει κανέναν αναγνώστη αδιάφορο!

  4. 4 out of 5

    Frank Errington

    Review copy Leslie S. Klinger is considered to be one of the world’s foremost authorities on both Sherlock Holmes and Dracula. He is the editor of The New Annotated Sherlock Holmes, winner of the Edgar Award for Best Critical/Biographical Work and nominated for every other major award in the mystery genre. He is also the editor of The New Annotated Dracula which possesses a similar in-depth examination of Bram Stoker’s haunting classic and its historical context. In the Shadow of Edgar Allan Poe: Review copy Leslie S. Klinger is considered to be one of the world’s foremost authorities on both Sherlock Holmes and Dracula. He is the editor of The New Annotated Sherlock Holmes, winner of the Edgar Award for Best Critical/Biographical Work and nominated for every other major award in the mystery genre. He is also the editor of The New Annotated Dracula which possesses a similar in-depth examination of Bram Stoker’s haunting classic and its historical context. In the Shadow of Edgar Allan Poe: Classic Tales of Horror, 1816-1914 Leslie presents twenty tales of horror from a diverse group of Edgar Allan Poe's contemporaries. From Ernst T. W. Hoffmann, who wrote The Nutcracker and the Mouse King which became the basis for Tschaikovsky's ballet The Nutcracker, to Bram Stoker who gave us the iconic Dracula. While a few of the names in this collection were already familiar to me, Arthur Conan Doyle, Ambrose Bierce, and of course, Bram Stoker, the vast majority of the names and stories were new to me. Although the reading was not always easy, I find the way people spoke more than a century ago to be a bit off-putting at times. The stories themselves were as varied as their authors, with a strong showing for ghost stories. Some of the best ghost stories I've ever read are included in this volume. Among those tales are THE UPPER BERTH by F. Marion Crawford, written 130-years ago and as effective as any story I'm likely to read this year. Also in that category was A NIGHT OF HORROR by Dick Donovan and THE WOMAN WITH THE HOOD by L.T. Meade. Of course there are more than ghost stories in this collection, just as Edgar Allan Poe was more than a horror writer, Leslie S. Klinger has collected a wide range of tales for this book. Mysteries, Mummies, tales of courage and revenge, of prejudice and even a companion piece to THE KING IN YELLOW by Robert W. Chambers, called THE YELLOW SIGN. Dare I say there is something for everyone. If you can get past the old-time writing style, I think you're likely to find some reading to keep you up at night in the pages of In the Shadow of Edgar Allan Poe: Classic Tales of Horror, 1816-1914. Available in a wide variety of formats, In the Shadow of Edgar Allan Poe: Classic Tales of Horror, 1816-1914, is published by Pegasus Books. Recommended.

  5. 4 out of 5

    Ευθυμία Δεσποτάκη

    Κλαίγομαι εδώ και χρόνια ότι ο τρόμος που μου αρέσει είναι παλιακός. Ε, όχι και τόσο παλιακός. Κάποια από τα διηγήματα τα ήξερα κι απλά απόλαυσα τη μετάφραση (όπως την Κίτρινη Ταπετσαρία ή την Επάνω Κουκέτα). Άλλα τα ήξερα κι απλά τα προσπέρασα (πχ το Κίτρινο Σημάδι του Τσέιμπερς, που ούτε στην πρώτη ανάγνωση με είχε πολυπείσει). Ήταν μερικά πολύ ενδιαφέροντα που δεν είχα ξαναδιαβάσει (όπως ο πάντα σκαμπρόζικος Σάκι με το Πασχαλινό Αυγό του ή η Γυναίκα με την Κουκούλα) που αλήθεια με συνεπήραν. Κι Κλαίγομαι εδώ και χρόνια ότι ο τρόμος που μου αρέσει είναι παλιακός. Ε, όχι και τόσο παλιακός. Κάποια από τα διηγήματα τα ήξερα κι απλά απόλαυσα τη μετάφραση (όπως την Κίτρινη Ταπετσαρία ή την Επάνω Κουκέτα). Άλλα τα ήξερα κι απλά τα προσπέρασα (πχ το Κίτρινο Σημάδι του Τσέιμπερς, που ούτε στην πρώτη ανάγνωση με είχε πολυπείσει). Ήταν μερικά πολύ ενδιαφέροντα που δεν είχα ξαναδιαβάσει (όπως ο πάντα σκαμπρόζικος Σάκι με το Πασχαλινό Αυγό του ή η Γυναίκα με την Κουκούλα) που αλήθεια με συνεπήραν. Κι ήταν και μερικά πραγματικά βαρετά και απάλευτα, όπως ο πολύς Στόκερ ή το τέρμα ρατσιστικό Μωρό της Ντεζιρέ. Αλλά δεν ήταν ο μέσος όρος τους που με κούρασε. Ήταν το σύνολό τους. Η μια αραχνιασμένη κασέλα μετά την άλλη, η μια αιθέριος φθισική ύπαρξις μετά την άλλη, η μια επαρχιακή Αγγλία ή Αμερική ή Γερμανία μετά την άλλη. Μπούχτησα, δεν την πάλεψα όπως περίμενα.

  6. 4 out of 5

    Nicola Mansfield

    A wonderful collection of gothic short stories by authors the editor feels have been forgotten over time as writers of the macabre by falling under the shadow of Poe. A very informative and entertaining introduction is included which gives a history of the "terror" story from ancient times to now with the emphasis being on the latter-half of the 1800s. This is an excellent sampling of Gothic tales of horror from the Victorian era by a wide range of authors. Of course in such collections some sto A wonderful collection of gothic short stories by authors the editor feels have been forgotten over time as writers of the macabre by falling under the shadow of Poe. A very informative and entertaining introduction is included which gives a history of the "terror" story from ancient times to now with the emphasis being on the latter-half of the 1800s. This is an excellent sampling of Gothic tales of horror from the Victorian era by a wide range of authors. Of course in such collections some stories are better than others, but I found the collection as a whole to be a solid 4-star rating. I had heard of most of the authors, read a good many of them, found some new-to-me authors, but also did not recall having read any of these stories and was particularly pleased to find a couple in the collection that I've wanted to read for ages such as "The Yellow Wallpaper", a classic indeed, that had thus far eluded me. Klinger has done a fine job as editor and this is an highly recommended anthology! 1. The Sand-Man by E.T.A. Hoffmann (1816) - This has all the markings a classic Gothic tale should have, even including a madman, but is quite forward thinking for the times as the man is the innocent, childish, frail one while the woman is the logical, non-emotional one coming up with the reasonable answers to the strange goings on. Hoffman is quite the melodramatic story weaver! (4/5) 2. The Mummy's Foot by Theophile Gautier (1840) - A Frenchman walks into an antique shop and buys an Egyptian mummy's foot. A strange episode ensues. Descriptive to the point of tedium, starts off with pages describing the antique store, then the proprietor before even getting to the purchase then becomes exotic with its descriptions of Egyptian things but, overall, while being a fantastical story pretty boring for today's reader. (2/5) 3. An Account of Some Strange Disturbances in Aungier Street by J. Sheridan Le Fanu (1851) - I like Le Fanu. He's a great writer and very easy to read compared to others from this era. This story is just ok, though. A haunted house story, in which the narrator relates the events which happened to him and a friend when they rented the old manor. The descriptions of the ghost are quite gruesome and it's a nasty thing so I can imagine this being more titillating at the times than it is now, to me. (3/5) 4. The Upper Berth by F. Marion Crawford (1885) - Loved this! Classic ghost tale! Has a bit of everything. A group of men are sitting around having their usual cigars and drinks, telling stories, when our narrator mentions he has seen a ghost. Then he tells his tale, A splendidly gothic, creepy tale taking place aboard a steamer ship crossing the ocean. My favourite so far. (5/5) 5, His Unconquerable Enemy by W.C. Morrow (1889) Oh sweet revenge! He will have it at all costs. Thievery is punished by the removal of an arm, thence revenge steps in. His re-capture turns his sights upon the Rajah who punishes him with the removal of the second arm and so and so on. This is the type of story that can only be read. Visualization would take away the cringeful moments the imagination can create better. (5/5) 6. In Dark New England Days by Sarah Orne Jewett (1890) - Spinster sisters loose their domineering, miserly father as they enter their senior years. Hoping to find they've been left financially secure now that they are free at last, instead the timid sister curses the man (and his generations) who cause them to remain dependent on what they can earn from garden and spinning wheel. A fairly straightforward story, and predictable, but well-written and atmospheric. I really enjoyed it. (4/5) 7. The Yellow Wallpaper by Charlotte Perkins Gilman (1892) - Brilliant story of madness! Fascinating piece for its historical value as Ms. Gilman is protesting the common treatment, at the time the story was written, given to women who were suffering "nervous" disorders. A cautionary tale but extremely frightening because of its reality. Is followed by Gilman's 1913 essay on "Why I wrote The Yellow Wallpaper" (5/5) 8. Desiree's Baby by Kate Chopin (1893) - Whoa! I didn't see that coming. Short, but powerful! (5/5) 9. The Yellow Sign by Robert W. Chambers (1895)- This is a creepy, haunting, otherworldly tale which gets weirder right up to its abrupt ending. One of the best stories in the collection. It leaves you a little baffled; is it ghosts? supernatural? Leaves you thinking. (5/5) 10. A Tragedy of Bones by George MacDonald (1895) - Chapter 17 of the novel "Lilith" - A man out walking in the forest at night happens upon some incidents involving skeletons. MacDonald's work is all very theological and in essence, this is a little tale on the afterlife, taking place in a dream I suppose (I haven't read Lillith) showing the narrator what goes on in Purgatory (or Hell since MacDonald believed Hell was actually more like the Catholic Purgatory). If you don't get the theology going on it's basically just a story of dancing and arguing skeletons. (3/5) 11. A Night of Horror by Dick Donovan (1899) - The classic haunted house ghost story where the ghost is looking for his remains and the truth of his death to be discovered. Well written and very gruesome for the times. (4/5) 12. The Corpse-Rider by Lafcadio Hearn (1900) - This is supposed to be the retelling of a Japanese tale though it's been Anglicized somewhat. The premise of the vengenance of a scorned woman outlasting death is frightful and so is the set-up of the story. But then it plays out to a boring end and let down. (2/5) 13. The Leather Funnel by Arthur Conan Doyle (1902) - A story of the occult which is tied to a real true crime of the 1600s. Very good! (5/5) 14. The Shadows on the Wall by Mary E. Wilkins Freeman (1902) - Absolutely delicious little tale of terror; perhaps murder, perhaps ghosts. Brothers and sisters gather at the family home (they all live there except for a married sister) after the abrupt, sudden death of the youngest brother under suspect, but hardly dared spoken of, circumstances. The suspense and tension slowly mount to a chilling end. Loved it! (5/5) 15. Lost Hearts by M.R. James (1895) - In a strange editorial choice this one story has been placed out of chronilogical order; this being because the story gained its popularity once it was reprinted in a collection in 1904. It would have been better placed earlier in the collection. Going back to the early 1800s this story brings together a practitioner of the dark pagan arts and his newly arrived orphan nephew, only 12 years old. I's easy to guess where it goes from there. (3/5) 16. The Moonlit Road by Ambrose Bierce (1907) - I like this author but this story isn't terribly haunting even though it is a ghost story. Told in three parts we read the testimony of three participants; first the son, then the father and finally the mother (through the aid of a medium). (3/5) 17. The Spider by Hanns Heinz Ewers (1915) - Perfectly splendid! Perhaps my favourite in the collection! Expertly told. Some might, but I wouldn't, call this a ghost story, more a tale of the macabre. A medical student registers himself up in a room whose last three occupants have hanged themselves in rather an unnerving manner the past three consecutive Fridays between the hours of five and six pm. These are the journal entries found in his room in which he did stay longer than the next coming Friday. Haunting and well-written for a story in English translation. (5/5) 18. The Woman with the White Hood by L.T. Meade (1908) - Perfect Gothic ghost haunting. A familiar take today but quite shocking for its day especially for the description of the girl's terror. I enjoyed the female protagonist especially in a story written at this time for her pluck. Of course, she was utterly stricken almost mad with terror before the apparition but she was determined to see the affair through and lay the poor spirit to rest no matter her own suffering. Great story! (5/5) 19. The Easter Egg by Saki/H.H. Munro (1911) - Saki is hit and miss with me and this one was pretty good. A Clovis tale (though he doesn't appear) in which a very weak and nervous grown son has one brief shining moment of half-courage before his mother. Rather macabre. (3/5) 20. The Squaw by Brahm Stoker (1893) - Again an editorial choice to place the story out of order because it was published in a collection for the first time in 1914. Stoker is easy to read though and the story not time specific feels good here as the finishing story. The "dumb" American is over-the-top, but I took him to be intentionally so making one have little feeling for his horrific ending. Quite a disturbing story, violent with a disturbing act by one character leading to a final disturbing act by another. A good story with which to end the collection. (4/5)

  7. 5 out of 5

    Nenad Š

    I love this type of collection because this is a unique opportunity to learn about other authors in this case of the horror genre. Some of them I heard of and read already, but with most it was by introduction to their work. The introduction is a key word here because if you like a story from this collection then you should search for more work from that author. Overall, this was an enjoyable journey. However, I must point out that some of these stories are products of their time and some haven' I love this type of collection because this is a unique opportunity to learn about other authors in this case of the horror genre. Some of them I heard of and read already, but with most it was by introduction to their work. The introduction is a key word here because if you like a story from this collection then you should search for more work from that author. Overall, this was an enjoyable journey. However, I must point out that some of these stories are products of their time and some haven't aged that great, but some are absolutely timeless. I will probably review each story individually, but I want to reread them and to wait for some time to pass. Mainly because for some you need to be in a special mood to get in too. I feel I gave a lower star rating to some maybe because of it. Nonetheless I saw the value in each story and once again I'm grateful that I found more authors to read. 1. The Sandman - novelette by E. T. A. Hoffmann (1816) 5* 2. The Mummy's Foot - short story by Théophile Gautier (1840) 5* 3. An Account of Some Strange Disturbances in Aungier Street - novelette by Joseph Sheridan Le Fanu (1853) 3* 4. The Upper Berth - novelette by F. Marion Crawford (1885) 4* 5. His Unconquerable Enemy - short story by W. C. Morrow ([1889] variant of The Rajah's Nemesis) 5* 6. In Dark New England Days - short story by Sarah Orne Jewett (1890) 3* 7. The Yellow Wallpaper - short story by Charlotte Perkins Gilman (1892) 5* 8. Désirée's Baby - short story by Kate Chopin (1893) 5* 9. The Yellow Sign - novelette by Robert W. Chambers (1895) 5* 10. A Tragedy of Bones - short fiction by George MacDonald (1895) 4* 11. A Night of Horror - short story by Dick Donovan (1899) 4* 12. The Corpse-Rider - short story by Lafcadio Hearn (1900) 4-5* 13. The Leather Funnel - short story by Arthur Conan Doyle (1902) 5* 14. The Shadows on the Wall - short story by Mary E. Wilkins Freeman (1903) 4* 15. Lost Hearts - short story by M. R. James (1895) 5* 16. The Moonlit Road - short story by Ambrose Bierce (1907) 5* 17. The Spider - novelette by Hanns Heinz Ewers (1908) 4-5* 18. The Woman with the Hood - short story by L. T. Meade (1908) 3-4* 19. The Easter Egg - short story by Saki (1911) 5* 20. The Squaw - short story by Bram Stoker (1893) 4-5*

  8. 5 out of 5

    X

    Like any collection, some stories were better than others, but all were nicely written.

  9. 5 out of 5

    Marina Maidou

    Στη σκιά του Έντγκαρ Άλαν Πόε - Λέσλι Σ. Κλίνγκερ Για να βάλουμε τα πράγματα στη θέση τους. Δεν μου αρέσουν τα θρίλερ. Ιδίως από αυτά με πραγματικούς ανθρώπους ψυχοπαθείς ή απλά απύθμενης κακίας που εξαπολύουν τον θάνατο, τη φρίκη και κουβάδες με αίματα/πτώματα, έτσι απλά επειδή μπορούν. Αντιθέτως, οι ιστορίες τρόμου με φαντάσματα, στοιχειά, τέρατα και γενικά οτιδήποτε μεταφυσικού περιεχομένου είναι του γούστου μου και πολύ μάλιστα. Ο μαγικός ρεαλισμός δε, είναι η κορωνίδα της Τέχνης Τρόμου για μέ Στη σκιά του Έντγκαρ Άλαν Πόε - Λέσλι Σ. Κλίνγκερ Για να βάλουμε τα πράγματα στη θέση τους. Δεν μου αρέσουν τα θρίλερ. Ιδίως από αυτά με πραγματικούς ανθρώπους ψυχοπαθείς ή απλά απύθμενης κακίας που εξαπολύουν τον θάνατο, τη φρίκη και κουβάδες με αίματα/πτώματα, έτσι απλά επειδή μπορούν. Αντιθέτως, οι ιστορίες τρόμου με φαντάσματα, στοιχειά, τέρατα και γενικά οτιδήποτε μεταφυσικού περιεχομένου είναι του γούστου μου και πολύ μάλιστα. Ο μαγικός ρεαλισμός δε, είναι η κορωνίδα της Τέχνης Τρόμου για μένα, όταν σε κάτι επιφανειακά φυσιολογικό καταλύονται οι νόμοι της Φυσικής και το Υπερπέραν κάνει πάρτι μέχρι πρωίας με γαρύφαλλα. Ή έστω κρανία. Έτσι και εδώ σ' αυτή τη συλλογή ιστοριών η προτίμησή μου ήταν καθαρά σε όσες είχαν αυτό το υπερφυσικό στοιχείο, ακόμα και όσες κυριαρχούσε η εγκληματική συμπεριφορά πραγματικών ανθρώπων, η οποία όμως υποκινούνταν από μαγεία, στοίχειωμα κλπ. Οι ιστορίες που ήταν καλογραμμένες και ατμοσφαιρικές, όπως μου αρέσει, είναι: - Theophile Gautier - Το πόδι της μούμιας (1840) Απολαυστικό ταξίδι ενός Γάλλου στην αυλή του Φαραώ μέσα από μια αντικερί - F. Marion Crawford - Η επάνω κουκέτα (1886) Εξαιρετική απόδοση στο στοίχειωμα μιας κουκέτας πλοίου παρόλη την προσέγγιση με άκρα λογική από τον αφηγητή. - Charlotte Perkins Gilman - Η κίτρινη ταπετσαρία (1891) Πώς μια κίτρινη ταπετσαρία οδηγεί σε ένα καταιγιστικό ντελίριο μιας ένοικου σε δωμάτιο. - George MacDonald - Τραγωδία οστών (1895) Κεφάλαιο από το βιβλίο "Λίλιθ", ιδιαίτερα ατμοσφαιρικό ως προς την παρουσία πλήθους σκελετών που περιφέρονται στο ερειπωμένο δάσος αναζητώντας λύτρωση. - Dick Donovan - Νύχτα τρόμου (1899) Στοιχειωμένο κάστρο και αναπάντεχα ευρήματα από έναν λογικό φιλοξενούμενο, παρόμοιο στο θέμα με της L. T. Meade - Η γυναίκα με την κουκούλα, αλλά το τελευταίο μου φάνηκε συγκριτικά πιο μελοδραματικό, χάνοντας το στοιχείο του τρόμου. - Lafcadio Hearn - Ο άνθρωπος που καβάλησε ένα πτώμα (1900) Ο Ελληνοϊρλανδός παραμυθάς της Ιαπωνίας, αντίστοιχος με τον Σκοτσέζο παραμυθά Ρόμπερτ Λούις Στίβενσον ή Τουγιτάλα της Σαμόας παίρνει μια συνηθισμένη ιστορία και την ντύνει με σουρρεαλιστικό ιαπωνικό τρόμο. - Arthur Conan Doyle - Η δερμάτινη χοάνη (1902) Ο διάσημος συγγραφέας του Σέρλοκ Χολμς καταφέρνει με μεγάλη άνεση να σπείρει τον τρόμο σε ένα φαινομενικά απλό αντικείμενο. - Ambrose Bierce - Ο φεγγαρόλουστος δρόμος (1907) Γοτθική ιστορία από τρεις αφηγητές μέχρι την αναπάντεχη κορύφωση, όπου βλέπουμε πώς από το πουθενά μπορεί να προκληθεί η καταστροφή. - Hanns Heinz Ewers - Η αράχνη (1907) Κι εδώ ο αφηγητής με γνώμονα τη λογική προσπαθεί να εξακριβώσει πού οφείλεται η αυτοκτονία τριών ανθρώπων στο ίδιο δωμάτιο, αλλά παρακολουθούμε πώς οδηγείται σταδιακά κι ο ίδιος στο αναπότρεπτο τέλος με παρανομαστή μια ... αράχνη. - M. R. James - Χαμένες καρδιές (1904) Ένας γέρος που ασκεί αρχαίες παγανιστικές τελετές υποδέχεται τον 12χρονο ανιψιό του, ενώ κυριαρχούν οι φήμες για δύο άλλα χαμένα παιδιά. Το μόνο μειονέκτημα που βρήκα ήταν το απότομο τέλος, μπορούσαν να ειπωθούν λίγα πραγματάκια ακόμα γιατί η ατμόσφαιρα ήταν πετυχημένα ζοφερή. Οι υπόλοιπες ιστορίες ήταν όλες καλογραμμένες, αλλά μερικές δεν με έπεισαν ως προς το στοιχείο του μεταφυσικού τρόμου (Joseph Sheridan Le Fanu - Ασυνήθιστα φαινόμενα στην οδό Έντζιερ, E. T. A. Hoffmann - Ο γέρος με την άμμο, Robert W. Chambers - Το κίτρινο σημάδι, Mary Wilkins Freeman - Οι σκιές στον τοίχο, Sarah Orne Jewett - Στις σκοτεινές ημέρες της Νέας Αγγλίας). Και άλλες δεν θεωρώ ότι είχαν καν θέση σ' αυτή τη συλλογή, αφού δεν είχαν κάτι το γοτθικό ή στοιχειωμένο (Saki/H. H. Munro - Το πασχαλινό αυγό, Bram Stoker - Η Ινδιάνα, Kate Chopin - Το μωρό της Ντεζιρέ, W. C. Morrow - Ο ακατάβλητος εχθρός του). Συνολικά πάντως μου άρεσε πολύ η γνωριμία με μεταφυσικές ιστορίες του 19ου αιώνα και με ώθησε να αναζητήσω περαιτέρω βιβλία των συγγραφέων της συλλογής. Let me clear the situation. I don't like thrillers. Especially those with real people which are either psychopaths or just bottomless evil humans and they deliver death, horror plus buckets of blood/corpses against innocent people, simply just because they can. On the contrary, horror stories with ghosts, trolls, monsters and generally anything metaphysical are my taste. Magical realism is the crux of the Horror Art for me when something apparently normal breaks the laws of physics and the Supernatural is making a fiesta with endless drinks until dawn. OK, and with skulls, too. So here in this collection, my preference was clear to those who had this supernatural element, even to those where there was a criminal behavior of real people but motivated by magic, ghosting, etc. The stories that were well written and atmospheric, as I like, are: - Theophile Gautier - The Mummy's Foot (1840) An enjoyable trip of a Frenchman to the courtyard of the Pharaoh through an antique shop - F. Marion Crawford - The Upper Berth (1886) Excellent performance of a ghosted berth in a ship, despite the narrator's extreme logical research. - Charlotte Perkins Gilman - The Yellow Wallpaper (1891) How a yellow wallpaper leads a tenant of a room to a wild delirium. - George MacDonald - A Tragedy of Bones (1895) A chapter from his book "Lillith", particularly atmospheric in the presence of numerous skeletons roaming the ruined forest looking for redemption. - Dick Donovan - A Night of Horror (1899) A haunted castle and unexpected findings from a reasonable guest, with a similar theme as L. T. Meade's, The Hooded Woman, but the latter seems in comparison more melodramatic and it's losing its element of horror. - Lafcadio Hearn - The Corpse-Rider (1900) The Greek-Irish storyteller of Japan, similar to the Scottish storyteller, Robert Louis Stevenson or Tusitala of Samoa, he takes an ordinary story and dresses it with surreal Japanese horror. - Arthur Conan Doyle - The Leather Funnel (1902) The famous Sherlock Holmes author easily manages to spread terror into a seemingly simple object. - Ambrose Bierce - The Moonlit Road (1907) Gothic story from three narrators to an unexpected climax, where we see how disaster can be caused from nowhere. - Hanns Heinz Ewers - The Spider (1907) Here again, the narrator is trying to discover the cause of the suicide of three people in the same room, but we watch as he is gradually leading to the inevitable end with aν unexpected element of a ... spider. - M. R. James - Lost Hearts (1904) An old man performing ancient pagan rituals welcomes his 12-year-old nephew, with dominating rumors of two other missing children. The only shortcoming I found was the abrupt end, a few more things could still be said because the atmosphere was successfully gloomy. The rest of the stories were all well-written, but some of them didn't convince me of the element of metaphysical horror (Joseph Sheridan Le Fanu - An Account of Some Strange Disturbances in Aungier Street, ETA Hoffmann - The Sand-Man, Robert W. Chambers - The Yellow Sign, Mary Wilkins Freeman - The Shadows on the Wall, Sarah Orne Jewett - In Dark New England Days). And as about other stories I don't even think they had a place in this collection since they didn't have anything gothic or haunted (Saki / HH Munro - The Easter Egg, Bram Stoker - The Squaw, Kate Chopin - Desiree's Baby, WC Morrow - His Unconquerable Enemy). Overall though, I really liked the acquaintance with this collection of 19th-century gothic stories and it made me look further for more books by the upper authors.

  10. 4 out of 5

    Mila Elizabeth

    4.75 estrellas Me ha atrapado y encantado. Como son relatos se hace fácil avanzar deprisa, leer un par por día. La colección me pareció variada y completa, con muchos autores y autoras que no conocía.

  11. 4 out of 5

    Roxanne

    This is a Goodreads win review. This is a collections of short stories about tales of terror. It was very good but some scared me.

  12. 5 out of 5

    Latoya

    Perfect selection of spooky, weird, and psychological tormenting stories! Great performances from the narrators. :)

  13. 5 out of 5

    Nicole

    3.5 estrellas El miedo y su sombra recopila cien años de terror en veinte relatos, desde 1814 hasta 1914. Lo interesante de este libro es que, como su editor Leslie S. Klinger dice, no nos vamos a encontrar con autores como E. A. Poe, sino con aquellos que en la época quedaron bajo su sombra y no fueron tan reconocidos. Esto me ayudó muchísimo a la hora de encontrar nuevos autores como también de reecontrarme con algunos otros. Es un libro con mucha diversidad de estilos, como el vampirismo, los fan 3.5 estrellas El miedo y su sombra recopila cien años de terror en veinte relatos, desde 1814 hasta 1914. Lo interesante de este libro es que, como su editor Leslie S. Klinger dice, no nos vamos a encontrar con autores como E. A. Poe, sino con aquellos que en la época quedaron bajo su sombra y no fueron tan reconocidos. Esto me ayudó muchísimo a la hora de encontrar nuevos autores como también de reecontrarme con algunos otros. Es un libro con mucha diversidad de estilos, como el vampirismo, los fantasmas, la alquimia e incluso cosas mucho más reales, como la venganza sádica y el terror psicológico. En sí, creo que todos los relatos que se presentan acá tienen su mérito, pero solamente uno de ellos llegó a encantarme tanto como para darle 5 estrellas. La gran mayoría estuvo entre las 3/4.5 y muy pocos se llevaron 2/2.5. Solamente uno se llevó 1,5 estrellas. Voy a intentar reseñar todos acá, aunque de un par no tengo palabras para reseñarlos, ya sea por lo corto de su extensión como para formarme una idea más concreta, por lo bizarro que podían llegar a ser o incluso por ambos. El Hombre de Arena, E.T.A. Hoffman (3/5): Cuenta la historia de Nataniel, un hombre adulto traumatizado por la muerte de su padre, ocurrida durante su infancia. Este trauma lo lleva a crear un “cuco” al que llama ‘El hombre de arena’. Me pareció interesante como se tocan los miedos infantiles y como afectan la vida adulta. No da miedo realmente pero tiene un toque bastante oscuro. Pasamos de la creación de un cuco, hasta la alquimia e incluso robots. El pie de la momia, Théophile Gautier (2/5): Un hombre entra a una casa de empeños en la que se venden varios objetos culturales y decide llevarse el pie momificado de la princesa Hermonthis. A partir de ahí se empiezan a desarrollar unos eventos interesantes. Honestamente, no sé qué hace este relato dentro de una antología de terror. No es atmosférico, cae en los típicos clichés de la sociedad egipcia, el plot no pretende asustar aunque si tal vez asombrar y ser de alguna manera, “cómico”. Más que miedo me provocó ternura. No fue una historia que haya odiado, pero que esté junto con relatos que sí tienen la intención de asustar me guió por otro lado. Tal vez en otro contexto la habría disfrutado más. Recuento de algunas extrañas perturbaciones en Aungier Street, Joseph Sheridan Le Fanu (3,5/5): Dos estudiantes deciden ocupar una casa abandonada ofrecida amablemente por el tío de uno de ellos. Poder ahorrar el dinero que iría a un alquiler es muy agradable, pero las cosas se tornan algo malas cuando una aparición empieza a perturbar sus vidas. Me gustó mucho la pluma del autor. Si bien no llega a dar miedo, sí sugestiona (en un momento mientras lo leía, el viento abrió mi ventana y literalmente salté del susto). Si bien ahora los elementos que usa en su historia ya son clásicos del género, probablemente en la época deben haber provocado pesadillas para los lectores. La litera superior, F. Marion Crawford (4/5): Un viajero decide hospedarse en un camarote embrujado por el fantasma de un suicida, del que ninguna persona sale viva, pero movido por la curiosidad y la obstinación, decide quedarse ahí durante todo su viaje. Las historias de terror en el mar son de mis favoritas. La ambientación de por sí ya es terrorífica: estar en el medio de la nada sin tener chances de escapar de las amenazas que nos rodean no es algo muy tranquilizante. Esta historia fue altamente alabada por Lovecraft, esto me generó muchas más expectativas y tengo que decir que no decepciona. La pluma del autor no se hace densa en ningún momento y te deja con ganas de saber más durante todo el relato. Su enemigo inconquistable, W. C. Morrow (3,5/5): Un médico es llamado desde India para hacer una intervención quirúrgica a una de las mujeres de la casa del rajá, un hombre noble pero de naturaleza cruel. Allá conoce a uno de sus sirvientes llamado Naraya, un hombre altamente malicioso. Luego de un crimen cometido por este último, se desata una trama de venganza y muerte. Este es el relato más violento de la antología y me encantó por ese lado. Soy amante de las historias que se proponen ser sangrientas y no tienen miedo de demostrarlo. Es una historia con una simple premisa: cualquiera puede matarte, ya seas de la realeza o servidumbre. La disfruté muchísimo pero hubo un aspecto que me desagradó: hay demasiado racismo. No del estilo que se puede ‘comprender’ por el contexto histórico, sino que parecía verdadero desagrado de parte del autor. En los oscuros días de Nueva Inglaterra, Sarah Orne Jewett (1.5/5): Un misterioso robo a dos hermanas termina soltando una maldición sobre la familia del sospechoso. Esta fue la única historia que no disfruté del libro. No se me hizo densa pero no veía la hora de que terminara. Creo que es el perfecto ejemplo de la diferencia entre lo gótico y el horror: si bien se relacionan entre sí, las características del estilo no lo hacen específicamente parte del género de horror. Le faltaron varias páginas para tener una conclusión cerrada, porque el final fue muy apurado. El empapelado amarillo, Charlotte Perkins Gilman (5/5): Una mujer y su marido se mudan de casa después del nacimiento de su hijo. Debido a la delicada situación de la salud de la esposa, su marido la deja confinada a una habitación de la que no puede salir, bajo el pretexto de que es lo mejor para su recuperación. Es uno de los primeros cuentos de terror feministas y la autora sabe unir las dos temáticas de forma excelente. Bajo el mandato de un marido tremendamente condescendiente para el que su formación académica tiene más peso que la salud mental de su esposa, ella es obligada a guardar cama todos los días en una habitación con un empapelado amarillo. Por la noche, bajo la luz de la luna, el diseño de la pared hace ver una mujer reptando, intentando escapar del cautiverio del empapelado. Así, noche a noche, nuestra protagonista comienza a descender en una espiral de locura (o no…) que juega de forma espectacular con el terror psicológico. Muy recomendado. El bebé de Desirée, Kate Chopin (3/5): Desirée se casa con el dueño de una plantación y tienen un hijo. Todo va bien y forman una linda familia hasta que por una extraña revelación, el marido se pone más y más distante. Acá tenemos otro relato racista pero este tiene como cometido serlo para mostrar una perspectiva simplemente odiosa. Es corto y poderoso, y si bien disfruté del relato y amé la ironía del final, no sé qué hace en una antología de terror. El signo amarillo, Robert. W. Chambers (4/5): Un pintor y su musa son atormentados por la presencia del cuidador de una iglesia, un hombre con aspecto de cadáver al que ven por la ventana. Tessie, su modelo le comenta que tuvo horribles pesadillas en las que aparecía el cuidador y a partir de ese momento, nada vuelve a ser igual. Ya había leído previamente este cuento junto con los otros tres que conforman los mitos de El Rey de Amarillo, ilustrados bajo la excelente mano de Santiago Caruso, y había quedado fascinada, pero quería comprobar si realmente me podía provocar lo mismo sin las ilustraciones y la verdad es que no decepciona. Chambers es uno de los precursores de Lovecraft y junto con Bierce se forma una especie de acuerdo tácito en el que El Rey de Amarillo pasa a ser una figura en la ficción de los tres autores, uniendo de alguna manera sus universos. La trama es extraña, por momentos llega a incomodar y provoca sensaciones de disgusto. La recomiendo mucho y se puede disfrutar como lectura autoconclusiva pero en mi opinión es mejor leerlo dentro de la colección de El Rey de Amarillo para tener una mejor idea de lo que se plantea. Una tragedia de huesos, George MacDonald (3/5): Un hombre da un paseo onírico en el que lo único que le hace compañía son esqueletos danzarines y una pareja aristocrática. Esta es otra historia que no se si catalogaría “de terror”. Es más bien una metáfora a la naturaleza solitaria y egoísta del humano. El protagonista es llevado al Purgatorio cristiano a través de un sueño donde se encuentra con las almas “desnudas” de los fallecidos, algunos de ellos ya aceptaron su destino mientras que otros actúan cíclicamente como seres desagradables. Es una historia un poco confusa pero dentro de lo bizarro es entretenida y curiosa de leer. Una noche de horror, Dick Donovan (4/5): Un hombre es invitado por su amigo a pasar los días al castillo de Bleak Hill, un lugar con ciertas historias que alejan a los lugareños. Acá tenemos otra clásica historia de fantasmas, pero está cumple con la idea de dar miedo. Es el misterio de un asesinato bastante crudo con toques sobrenaturales. Tanto la trama como la prosa y la ambientación son altamente disfrutables. El jinete de cadáveres, Lafcadio Hearn (2/5): Un hombre acude a un inyôshi para que lo salve de la venganza de su fallecida esposa. Tiene una trama y desarrollo prometedor pero el final resulta soso y aburrido. No tengo mucho que decir de esta historia porque dura una hoja y media. El embudo de cuero, Arthur Conan Doyle (2.5/5): Dos amigos intentan probar la teoría ocultista que propone que si alguien deja un objeto perteneciente a un fallecido en su mesa de luz, al momento de dormir verá los últimos momentos de su dueño. Es una idea original y mezcla hechos reales del 1600, cuando la Iglesia usaba torturas terribles. Es bastante interesante y me gustó, pero se me hizo olvidable. De hecho tuve que releerlo para poder hacer esta reseña, porque no podía acordarme de qué se trataba. Las sombras en la pared, Mary E. Wilkins Freeman ( 4/5): Una familia se reúne luego de la abrupta muerte de uno de los hermanos, y si bien se habla mucho de lo triste de su partida, las circunstancias de su muerte son un tanto misteriosas. Fue una lectura rápida y estuvo entretenida. La muerte de Edward es algo misteriosa, así como los hechos previos a la misma; es como estar leyendo una historia de misterio más que de terror aunque a la hora del clímax las cosas se ponen un tanto oscuras y llamativas. Me gustó bastante. Corazones perdidos, M. R. James (3/5): Un bondadoso hombre recibe a su primo de doce años bajo el amable pretexto de cuidarlo luego de que el chico haya quedado huérfano, pero desde un inicio se ven intenciones bastante más sospechosas. Acá tenemos otra clásica historia de un alquimista intentando conquistar la muerte, aunque el foco principal no está en él sino en las visiones de su primo y las desapariciones de otros dos chicos hace algunos años. Es una lectura entretenida y por momentos algo creepy. La carretera iluminada por la luna, Ambrose Bierce (4/5): Un hecho trágico es contado a través de un padre, un hijo y un fantasma. Ya había leído previamente otro relato de Bierce y tengo que decir que me está gustando mucho la manera de escribir de este autor. Esta historia de fantasmas tiene algo especial, y es que en vez de dedicarse a asustar, prefiere narrar los hechos desde el punto de vista de los tres afectados, y en cada historia que se va presentando, las cosas empiezan a tomar sentido sin dejar de lado lo sobrenatural. Lo disfruté mucho. La araña, Hanns Heinz Ewers (4/5): Un estudiante de medicina se hospeda en una habitación maldita de un hotel, donde previamente tres personas se suicidaron. Regalo todos mis libros si Stephen King no se inspiró en esta historia para hacer su relato “1408”. Está muy bien escrito, te llama a que lo leas y todas las emociones por las que va pasando el protagonista traspasan el papel, haciéndote pasar por la misma ansiedad que él. Es una pena que el autor haya sido tan olvidado por su ideología, porque este relato valió mucho la pena. Es bastante macabro y podría considerarse parte del género vampírico. La encapuchada, L.T. Meade (3.75/5): Una adolescente es atormentada todas las noches por el fantasma de una mujer encapuchada pidiendo auxilio. Otro relato gótico que cumple con su misión. Hoy en día sus elementos fueron usados y son un cliché, pero acá están muy bien desarrollados e incluso puede llegar a causar temor, más que nada por lo descriptivos que son los ataques de pánico de la atormentada. El huevo de Pascua, Saki (4/5): Un infante es vestido de ángel por su madre y enviado con una canasta de huevos de chorlito como ofrenda a un príncipe. Al principio esta historia se me hizo imposible de entender y casi se lleva una mala nota, pero cuando lo releí y me di cuenta que la trama era el asesinato del príncipe con una bomba escondida dentro de los huevos, me voló la cabeza (pun intended). Está muy bien escrito, es inteligente y juega mucho con la suspicacia del lector. La apache, Bram Stoker (4/5): Una gata busca venganza luego de la muerte de uno de sus gatitos. Las primeras páginas de este relato se me estaban haciendo insufribles. El “antagonista” es una de las personas más idiotas que tuve la desgracia de encontrar y sufrí demasiado con las consecuencias de sus actos. Pero la venganza es hermosa y me dejó un buen gusto. Además me encanta que se haga mención de una de las más famosas cámaras de tortura, La Doncella de Hierro. Se harán una idea de por donde va todo…

  14. 4 out of 5

    Briar Page

    I wrote a whole long review of this and it was very thoughtful and funny, but then my internet crapped out and deleted ALL of it. tl;dr: several good stories here, but I'd read almost all of them before, hence the two star rating. The ones I hadn't read didn't impress me too much. Bram "Dracula" Stoker's "The Squaw" was impressively bad, containing a graphic kitten death, unlikable characters who don't behave like any real human ever has or would, relentless racism that's not even crucial to the I wrote a whole long review of this and it was very thoughtful and funny, but then my internet crapped out and deleted ALL of it. tl;dr: several good stories here, but I'd read almost all of them before, hence the two star rating. The ones I hadn't read didn't impress me too much. Bram "Dracula" Stoker's "The Squaw" was impressively bad, containing a graphic kitten death, unlikable characters who don't behave like any real human ever has or would, relentless racism that's not even crucial to the plot (although I don't suppose it would really be better if it WERE), and hokey cowboy eye dialect. But if you haven't read, say, "The Yellow Sign" or "The Spider", and you're a fan of horror fiction, you really really should.

  15. 5 out of 5

    Liz

    Like any compilation these stories run the gamut from one to five stars. There are some notably very good stories here, almost all them new to me. There are some standout stories by women writers with Yellow Wallpaper by Charlotte Perkins Gilman (it has been on my to read list for decades) and Desiree's Baby by Kate Chopin. Both are five star stories, as is Crawford's amazing Upper Berth. Overall there are enough good and really good stories to recommend this. There is a good selection of well k Like any compilation these stories run the gamut from one to five stars. There are some notably very good stories here, almost all them new to me. There are some standout stories by women writers with Yellow Wallpaper by Charlotte Perkins Gilman (it has been on my to read list for decades) and Desiree's Baby by Kate Chopin. Both are five star stories, as is Crawford's amazing Upper Berth. Overall there are enough good and really good stories to recommend this. There is a good selection of well known narrators who were up to the task.

  16. 4 out of 5

    Elena Johansen

    I primarily read this for The Yellow Wallpaper, on the list for Crash Course Literature this season. This was the only collection available from my library system that had it, and I wasn't terribly interested in reading the other stories. That being said, The Yellow Wallpaper was excellent, and I read most of the other stories, which were overwritten in the style of the times--if you're a diehard Poe fan, these are right up your alley, but otherwise I mostly found them excessively wordy. I primarily read this for The Yellow Wallpaper, on the list for Crash Course Literature this season. This was the only collection available from my library system that had it, and I wasn't terribly interested in reading the other stories. That being said, The Yellow Wallpaper was excellent, and I read most of the other stories, which were overwritten in the style of the times--if you're a diehard Poe fan, these are right up your alley, but otherwise I mostly found them excessively wordy.

  17. 4 out of 5

    Laurie

    What a fantastic collection of short stories! "Leslie S. Klinger is considered to be one of the world’s foremost authorities on those twin icons of the Victorian era, Sherlock Holmes and Dracula." and he has put together this collection of gothic horror stories under an apt title considering these certainly have been lost the looming figure of Poe in the classic horror genre. This was perfect Oct. reading! What a fantastic collection of short stories! "Leslie S. Klinger is considered to be one of the world’s foremost authorities on those twin icons of the Victorian era, Sherlock Holmes and Dracula." and he has put together this collection of gothic horror stories under an apt title considering these certainly have been lost the looming figure of Poe in the classic horror genre. This was perfect Oct. reading!

  18. 5 out of 5

    Ali

    I read these stories out of order and I'm happy that I read The Spider last, easily my favorite story after the few stories I had already read elsewhere (The Yellow Wallpaper and the Yellow Sign). Overall it was a nice collection of Gothic tales but I did not find them to be as eerie as I was hoping I read these stories out of order and I'm happy that I read The Spider last, easily my favorite story after the few stories I had already read elsewhere (The Yellow Wallpaper and the Yellow Sign). Overall it was a nice collection of Gothic tales but I did not find them to be as eerie as I was hoping

  19. 4 out of 5

    Kitty

    Quite fun. Recommended to those who are looking for Shocktober reading material and are not thoroughly familiar with all the classic Gothic tales. It may also lead you to some more enjoyable works by the anthologized authors.

  20. 5 out of 5

    Manda

    A satisfyingly spooky collection of stories, some of which I was already acquainted with, but most were new to me.

  21. 4 out of 5

    Elizabeth R.

    Pretty good: 3.5 stars really ... Irregular levels of enjoyment. A nice little bit of notes... Could easily be used as a starting point for more reading and/or study.

  22. 5 out of 5

    Glenn Hammer

    The brief Author bio's were helpful. The brief Author bio's were helpful.

  23. 5 out of 5

    Pam

    very well done and thorough

  24. 4 out of 5

    Dale

    My thanks to my contacts at Pegasus Books, Iris Blasi, Katie McGuire, and Maia Larson, for my review copy of this book. You ladies rock! The volume is a collection of short horror fiction written by various co-scary story writers of Edgar Allan Poe. They cover a time period from 1816 to 1914. Some of them were old friends of mine and some I read for the first time in this collection. Horror fiction can be about ghosts, the supernatural, vampires, werewolves, zombies and other dwellers in the dark My thanks to my contacts at Pegasus Books, Iris Blasi, Katie McGuire, and Maia Larson, for my review copy of this book. You ladies rock! The volume is a collection of short horror fiction written by various co-scary story writers of Edgar Allan Poe. They cover a time period from 1816 to 1914. Some of them were old friends of mine and some I read for the first time in this collection. Horror fiction can be about ghosts, the supernatural, vampires, werewolves, zombies and other dwellers in the dark. The can be about strange cities, haunted houses, deserted towns, ships, trains, buses, cars, and a gentle stroll by the sea. There can be actual evil forces active in the story or the whole can take place inside a person’s head. Whether dreams or delusions, the mind can cause horror like no other. And now to the stories: “The Sand-Man” by ETA Hoffmann (1816) deals with dabbling into alchemy and the terrors wrought by an evil person from the narrator’s past returning for vengeance… “The Mummy’s Foot” by Théophile Gautier (1840) concerns a mummy’s foot bought for a paperweight by someone browsing a bric-a-bac shop, with strange consequences… “An Account of Some Strange Disturbances in Aungier Street” by Joseph Sheridan Le Fanu (1853) details the experiences of two friends who occupy a house that is possibly haunted… “The Upper Berth” by F Marion Crawford (1886) takes place at a dinner party, when a guest named Brisbane recounts the story of his encounter with a ghost aboard the freighter Kamtschatka. Something that always occupies the upper berth in stateroom 105… “His Unconquerable Enemy” by WC Marrow (1889) is the tale of a Rajah whose mortal enemy has lost over time both of his arms and both of his legs. The man is kept in a cage ten feet off the floor in the Rajah’s chambers. The Rajah feels free from danger from the man, Neranya, but hatred is a very strong emotion… “In Dark New England Days” by Sarah Orne Jewett (1890) recounts how some elderly women find treasure which is stolen from them. Their curse strikes the thief down… “The Yellow Wallpaper” by Charlotte Perkins Gilman (1891)… Concerning this story, I have read it several times over the years and I have never understood it. I thought maybe watching the movie would help. No. Even the author’s explanation at the end doesn’t help. I think it is a woman slowly going insane but— “Desiree’s Baby” by Kate Chopin (1893) is about slavery…and how much “tainted blood” could cause a horror beyond reason… “The Yellow Sign” by Robert W Chambers (1895) tells the tale of an artist and his nude model. They eventually marry, but an onyx pin with the yellow sign made into it draws a creature out of horror… “A Tragedy of Bones” by George McDonald (1895) recounts the story of skeletons that walk in the moonlight… “A Night of Horror” by Dick Donavan (1899) deals with Bleak Hill Castle and the zombie-like ghost of a woman that leads searchers to her bricked-up body… “The Corpse Rider” by Lafcadio Hern (1900) thrills the reader with a tale of a vengeful corpse… “The Leather Funnel” by Sir Arthur Conan Doyle (1902) deals with a man visiting a friend who collects objects of historic horror. One such object is a leather funnel, with ragged marks around the spout. A believer in dream magic, the friend suggests that the man sleep next to the funnel. What dreams may come… This was always one of my favorites! “The Shadows on the Wall” by Mary Wilkins Freeman (1903) brings us the tale of Henry and Edward. Henry argued with Edward the night the latter died. While preparing for the funeral, a shadow hangs for three days on the wall of the house that resembles the dead man… “Lost Hearts” by MR James (1904) is the saga of a madman and child ghosts missing their hearts… “The Moonlit Road” by Ambrose Bierce (1907) gives us the tale of three men haunted by their past whose nightmares take place on the moonlit road… “The Spider” by Hans Heinz Ewers (1907) deals with the suicides by hanging of four young men in room #7 of the Hotel Stevens on Rue Alfred Stevens. The first three take place before this story begins. The story is recounted in the young man’s journal found after he hanged himself in the same place the first three hanged themselves… “The Woman with the Hood” by LT Meade (1908) gives us the story of a little girl haunted by a female ghost that only she can see… “The Easter Egg” by Saki (1911) in which the author, real name HH Munro tells of horror that takes place at a child’s Ester egg hunt… “The Squaw” by Brom Stoker (1914) From the man who gave us all the shakes with the novel Dracula comes a short story concerning Elias P Hutchenson. The American has fought bears and Indians, including a squaw who skinned a man who stole her papoose. Now Hutchenson accidentally kills a cat’s kitten—and she may be worse than the squaw! The stories vary in subject, length, and skill. The book has one of my favorites and one story I cannot stand. I give the volume four stars… Quoth the Raven…

  25. 5 out of 5

    Ant

    Quite like this collection. For some reason I really liked the archaic way some of the stories are written. Although as horror stories go, they are not very scary. I'm terrified of scary movies and ghost stories, but none of these are very horrific. Some of Agatha Christie's psychological short stories are scarier in my opinion (but then she's from a different era). Nonetheless some of them are think pieces and worth ruminating over. Quite like this collection. For some reason I really liked the archaic way some of the stories are written. Although as horror stories go, they are not very scary. I'm terrified of scary movies and ghost stories, but none of these are very horrific. Some of Agatha Christie's psychological short stories are scarier in my opinion (but then she's from a different era). Nonetheless some of them are think pieces and worth ruminating over.

  26. 5 out of 5

    Ghost of the Library

    I always hesitate on how to qualify these types of books because, lets face it, taste is very particular, sometimes much more so in the short story genre. That being said, and having already read one book of a similar nature this year, i found myself yet again totally drawn into this one, and delighted at being reunited with "old friends". "In the Shadow..." starts with a curious introduction - Edgar Allan Poe did not invent the tale of terror...and proceeds to give us a mix of stories, some of mo I always hesitate on how to qualify these types of books because, lets face it, taste is very particular, sometimes much more so in the short story genre. That being said, and having already read one book of a similar nature this year, i found myself yet again totally drawn into this one, and delighted at being reunited with "old friends". "In the Shadow..." starts with a curious introduction - Edgar Allan Poe did not invent the tale of terror...and proceeds to give us a mix of stories, some of more known authors, others a novelty to me, that show just how varied and fascinating the genre truly was. Although Poe is now of the top 3 most popular authors, there were/are several other names worth knowing/reading. You have a little bit of everything in here, for all possible tastes and imaginations, and i will merely point out of the better known authors (at least to me that is!): J. Sheridan Le Fanu - Even if suitably gory, this is not one of his best stories, but still worth the time. He was a rather engaging storyteller, and his style of writing makes him especially easy to "digest" for the modern reader - when compared to some of the other names here. Kate Chopin - awesome story, very intense and powerful, will have you gripping the pages! Charlotte Perkins Gilman - Have to admit was somewhat surprised to find it here, this is a particular favorite of mine, but since my first contact with it was in a totally different setting, it was fascinating to revisit it exclusively from the point of view of a horror story. This is an absolute classic, and the essay that follows, with the author explaining the reasons for writing it is also worth the attention. Arthur Conan Doyle - yes he wasn't just all Sherlock ;) this one is brilliant and for me it was a fascinating surprise. Inspired by a real crime from the 17th century, promise you it will keep your attention! Bram Stoker - yes, him, the man behind Dracula. Now this is one bloody gory gruesome tale..hence perfect to finish off this particular selection...and i shall say no more ;) There are more stories, i am not going to spoil the surprise/scares by giving away plots, suffice to say if you like the genre, go ahead, there´s certainly one in here that will suitably scare you! If you´re just curious with the tittle, well its not a bad way to be introduced to the wonderful world of horror stories...have fun ;) p.s.: i gave it 4 stars for the simple reason that i would have like more background on some of the lesser known names...minor detail that in no way takes merit from the selection that you have here.

  27. 5 out of 5

    Maria

    In the Shadow of Edgar Allen Poe is a marvelous collection of the macabre for any lover of the genre. Although these stories were written long ago (between 1816 and 1914), and their style, overall, definitely marks them as from a bygone era, they are absolutely timeless examples of what makes this genre so popular. Ordinarily short stories are not my first choice, as I really love getting to know characters over time and love diving into another time period or place and having that time spent la In the Shadow of Edgar Allen Poe is a marvelous collection of the macabre for any lover of the genre. Although these stories were written long ago (between 1816 and 1914), and their style, overall, definitely marks them as from a bygone era, they are absolutely timeless examples of what makes this genre so popular. Ordinarily short stories are not my first choice, as I really love getting to know characters over time and love diving into another time period or place and having that time spent last a bit longer than a short story will allow. Some of these stories are only 3-4 pages long, and that gives little time for deep acquaintance, yet I found that they were very satisfying. Some were tragic, some horrifying, some eerie and unnerving, yet all were well put together and great for a late night read. If I had to pick a favorite, I would choose The Yellow Wallpaper (1891), written by Charlotte Perkins Gilman. Before each story is a bit of a history of the author and information on where the story was first published. What made this story even more intriguing for me was that this story was inspired by the authors own bout with serious post-partum depression. It was by far the most unnerving of all the stories in this collection. This poor soul descends into madness, one day at a time and before we know it she is completely unrecognizable, lost in her own world. Perhaps this one was too close to reality and therefore made it the most nerve shattering of all of the stories presented here. If you love ghost stories and in general, the excitement of the unexplained, these stories are for you. What also added to my enjoyment was the style of writing that was popular back then. I love to read the classics and these satisfied my desire for a good scare with my love of older literature. I highly recommend.

  28. 4 out of 5

    Carolyn Klassen

    This was honestly pretty disappointing. Almost all of the stories would not qualify as horror by my definition, were not anywhere close. There were maybe five in total that were alright. The ones that WERE worth reading were "The Sand Man" by E. T. A. Hoffmann, not horror, but an entertaining story all the same, "The Upper Berth," by F. Marion Crawford which was the only one that really spooked me, "The Yellow Wallpaper" by Charlotte Perkins Gilman (this one was psychologically thrilling), "The This was honestly pretty disappointing. Almost all of the stories would not qualify as horror by my definition, were not anywhere close. There were maybe five in total that were alright. The ones that WERE worth reading were "The Sand Man" by E. T. A. Hoffmann, not horror, but an entertaining story all the same, "The Upper Berth," by F. Marion Crawford which was the only one that really spooked me, "The Yellow Wallpaper" by Charlotte Perkins Gilman (this one was psychologically thrilling), "The Spider" by Hanns Heinz Ewers, and Bram Stoker's "The Squaw." Besides those -- and some of those were only alright -- the rest were banal, bland, uninspired, aged pieces that did not need to be reproduced in a collection of horror tales. None of them had the spine-chilling effect that Edgar Allan Poe manages in his pieces which is one of the main draws of this collection -- the title itself suggesting these pieces are in the same vein as Poe's horror works.

  29. 4 out of 5

    Michael Ritchie

    Interesting collection of 19th century horror stories. It includes a few that are fairly easy to find, like Hoffmann's The Sandman and Robert W. Chambers' "The Yellow Sign," but also some relative rarities well worth reading including "The Spider" by Hanns Heinz Ewers and a nasty little story by Bram Stoker called "The Squaw." Interesting collection of 19th century horror stories. It includes a few that are fairly easy to find, like Hoffmann's The Sandman and Robert W. Chambers' "The Yellow Sign," but also some relative rarities well worth reading including "The Spider" by Hanns Heinz Ewers and a nasty little story by Bram Stoker called "The Squaw."

  30. 5 out of 5

    Megan

    This collection of classic tales of terror is frightfully entertaining. Every story captured my imagination, but my favorites were: His Unconquerable Enemy, The Corpse- Rider, Lost Hearts, The Yellow Sign, The Spider and The Squaw. I plan to purchase this book for my personal collection.

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