hits counter The Musicalization of Fiction: A Study in The Theory and History of Intermediality - Ebook PDF Online
Hot Best Seller

The Musicalization of Fiction: A Study in The Theory and History of Intermediality

Availability: Ready to download

This volume is a pioneering study in the theory and history of the imitation of music in fiction and constitutes an important contribution to current intermediality research. Starting with a comparison of basic similarities and differences between literature and music, the study goes on to provide outlines of a general theory of intermediality and its fundamental forms, in This volume is a pioneering study in the theory and history of the imitation of music in fiction and constitutes an important contribution to current intermediality research. Starting with a comparison of basic similarities and differences between literature and music, the study goes on to provide outlines of a general theory of intermediality and its fundamental forms, in which a more specialized theory of the musicalization of (narrative) literature based on contemporary narratology and a typology of the forms of musico-literary intermediality are embedded. It also addresses the question of how to recognize a musicalized fiction when reading one and why Sterne's Tristram Shandy, contrary to what has been previously said, is not to be regarded as a musicalized fiction. In its historical part, the study explores forms and functions of experiments with the musicalization of fiction in English literature. After a survey of the major preconditions for musicalization - the increasing appreciation of music in 18th and 19th-century aesthetics and its main causes - exemplary fictional texts from romanticism to postmodernism are analyzed. Authors interpreted are De Quincey, Joyce, Woolf, A. Huxley, Beckett, Burgess and Josipovici. Whilst the limitations of a transposition of music into fiction remain apparent, experiments in this field yield valuable insights into mainly a-mimetic and formalist aesthetic tendencies in the development of more recent fiction as a whole and also show to what extent traditional conceptions of music continue to influence the use of this medium in literature. The volume is of relevance for students and scholars of English, comparative and general literature as well as for readers who take an interest in intermediality or interart research.


Compare

This volume is a pioneering study in the theory and history of the imitation of music in fiction and constitutes an important contribution to current intermediality research. Starting with a comparison of basic similarities and differences between literature and music, the study goes on to provide outlines of a general theory of intermediality and its fundamental forms, in This volume is a pioneering study in the theory and history of the imitation of music in fiction and constitutes an important contribution to current intermediality research. Starting with a comparison of basic similarities and differences between literature and music, the study goes on to provide outlines of a general theory of intermediality and its fundamental forms, in which a more specialized theory of the musicalization of (narrative) literature based on contemporary narratology and a typology of the forms of musico-literary intermediality are embedded. It also addresses the question of how to recognize a musicalized fiction when reading one and why Sterne's Tristram Shandy, contrary to what has been previously said, is not to be regarded as a musicalized fiction. In its historical part, the study explores forms and functions of experiments with the musicalization of fiction in English literature. After a survey of the major preconditions for musicalization - the increasing appreciation of music in 18th and 19th-century aesthetics and its main causes - exemplary fictional texts from romanticism to postmodernism are analyzed. Authors interpreted are De Quincey, Joyce, Woolf, A. Huxley, Beckett, Burgess and Josipovici. Whilst the limitations of a transposition of music into fiction remain apparent, experiments in this field yield valuable insights into mainly a-mimetic and formalist aesthetic tendencies in the development of more recent fiction as a whole and also show to what extent traditional conceptions of music continue to influence the use of this medium in literature. The volume is of relevance for students and scholars of English, comparative and general literature as well as for readers who take an interest in intermediality or interart research.

21 review for The Musicalization of Fiction: A Study in The Theory and History of Intermediality

  1. 4 out of 5

    Sarah

  2. 4 out of 5

    Marie-lynn Herpoel

  3. 5 out of 5

    Meryem.

  4. 4 out of 5

    Justin

  5. 5 out of 5

    Elenabot

  6. 5 out of 5

    Gun Lippert

  7. 5 out of 5

    Jackson Burnett

  8. 5 out of 5

    Vegetable Person

  9. 4 out of 5

    Elma De

  10. 4 out of 5

    Nathan

  11. 4 out of 5

    Didanwy Kent

  12. 5 out of 5

    Johnny

  13. 4 out of 5

    Юлия Смирнова

  14. 5 out of 5

    şahan

  15. 4 out of 5

    Nadiya

  16. 5 out of 5

    Tara Makhmali

  17. 4 out of 5

    Isaac

  18. 4 out of 5

    Elisa

  19. 5 out of 5

    Sebastian Kluge

  20. 5 out of 5

    Sa Naz

  21. 4 out of 5

    Chloe Potter

Add a review

Your email address will not be published. Required fields are marked *

Loading...